We just love the juxtapositions in Kelly’s paintings, the good girl meets hardware. Her background in fashion design is obvious with the 1950’s and 60’s era puffy dresses. But the way she pairs these fabulous dresses with other objects is the clincher. Well mannered women posing with tools, hardware and clipping shears. Threatening the viewer with vacuum cleaners and mops, she twists the image of women’s work in a wonderful way. Her latest ladies just seem to be falling, helplessly fashionable, to their demise. ARTIST LINK
Wednesday, March 21, 2012
Oleg Dou’s Beautifully Creepy Digitals
“I am looking for something bordering between the beautiful and the repulsive. I want to attain the feeing of presence one can get when walking by a plastic manikin...”
This was originally published on the homepage of Eclectix,
in the "Pretty In Pink" issue, March. 2012
Wednesday, March 14, 2012
Sue Coe: Double Parked On The Highway of Life
Born in Britain, Sue Coe moved to the US in 1972 and immediately began work as an illustrator for the op-ed page of the New York Times. Coe has an unerring instinct for anticipating significant issues, her works are dark, intense and harken back to German Expressionism. Moving images usually of a political and shocking nature - the defense of animals in industry, racism, poverty, women’s rights, environmental and class struggles. Her dedication to animal rights began early- she grew up in a house adjacent to a slaughterhouse, with all of its associated sights and smells. Her book How to Commit Suicide in South Africa —about the death of Stephen Biko and other student organizers in South African prisons—became an anti-apartheid organizing tool used on college campuses to persuade investors to divest themselves of South African stock. Her most recent book, Sheep of Fools, details the horrific conditions of the sheep industry. Sue describes herself as "double parked on the highway of life."
LINK - To some great images of Coe’s work she did for The X Files, TV show.
Sources - DavidWintonBellGallery, KatarinaThorsenArtBlog,
LINK - To Sue Coe’s art site, books and prints
This was originally published on the homepage of Eclectix,
in the "Pretty In Pink" issue, March. 2012
For the "Pretty In Pink" online exhibit, click here.
Todd Schorr's Neverlasting Miracles
Another must-see show opening in LA, is Todd Schorr's Neverlasting Miracles. His eclectic imagery is a barrage of highly detailed surreal characters - from comics, fables, toys, pop culture and/or politics. Large scaled works which involve the viewer in narratives of countless shenanigans - Todd's flawless technique pulls the compositions together in mind blowing ways. At Merry Karnowsky Gallery, the show opens on March 17th and runs thru April 14th.
Camille Rose Garcia's Snow White
Camille has a slew of new works, based on Snow White, following on the heels of her last show - Alice in Wonderland. The show opens March 15th at Michael Kohn Gallery in LA, along with a book release and signing. Camille's works are always enjoyable and beautifully captivating; this group appears to be no different. A must-see exhibition if you find yourself in the LA area, it will be on exhibit thru April, 2012.
"Camille Rose Garcia's wholly original interpretation of the classic tale of Snow White is
underscored by her dark and whimsical style. With a stylistic nod to the watercolored animation backgrounds of early Disney movies, Garcia references the golden age of early animation as well as vintage German fairy tale books. Garcia adds back the darker elements present in the original Brothers Grimm text, inverting the Disneyesque paradigm of simplistic happy endings and everlasting halcyon days into something closer to the original macabre German folktale." - Via Michael Kohn
Wednesday, March 7, 2012
Art Herstory: Sculptress Camille Claudel, 1864-1943
Fascinated with stone and soil as a child, as a young woman Camille studied at the Académie Colarossi. In 1882, Claudel rented a workshop with other young women. Alfred Boucher became her mentor and asked Auguste Rodin to take over the instruction of his pupils. Around 1884, she started working in Rodin's workshop. Claudel became a source of inspiration, his model, his confidante and lover. She never lived with Rodin, who was reluctant to end his 20-year relationship with Rose Beuret. Knowledge of the affair agitated her family, especially her mother. As a consequence, she left the family house. In 1892, after an unwanted abortion, Claudel ended the intimate aspect of her relationship with Rodin, although they saw each other regularly until 1898.
After 1905 Claudel appeared to be mentally ill. She destroyed many of her statues, disappeared for long periods of time and was diagnosed as having schizophrenia. She accused Rodin of stealing her ideas (which may be true) and of leading a conspiracy to kill her. In 1913 at the initiative of her brother, she was admitted to a psychiatric hospital. The form read that she had been "voluntarily" committed, although signed by a doctor and her brother.
There are records to show that while she did have mental outbursts, she was clear-headed while working on her art. Doctors tried to convince the family that she need not be in the institution, but still they kept her there. Her mother forbade her to receive mail from anyone other than her brother. The hospital staff regularly proposed to her family that Claudel be released, but her mother adamantly refused each time. Rodin's friend, Mathias Morhardt, insisted that her brother, Paul, was a "simpleton" who had "shut away" his sister of genius. Camille Claudel died in 1943, after having lived 30 years in the asylum at Montfavet and without a visit from her mother or sister.
- Edited from Wikipedia, LINK
This was originally published on the homepage of Eclectix,
in the "Pretty In Pink" issue, March. 2012
For the "Pretty In Pink" online exhibit, click here.
In The PInk With Edith Lebeau
Edith is a wonderful Canadian artist and none better to start off the Pretty In Pink issue with. She has many pretty women painted with a pink & rosy palette. Her women are strong and real with character, never relying on the half nude, prepubescent, big-eyed look of current art trends. They invite us into their world, telling stories with just a gesture or expression. Some with witty humor, pensive imaginings, tattoos, wildlife or Victorian hairstyles - they all radiate soulful intelligence.
This was originally published on the homepage of Eclectix,
in the "Pretty In Pink" issue, March. 2012
For the "Pretty In Pink" online exhibit, click here.
Saturday, March 3, 2012
Neon Knights Opening at Minna
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| Henry Lewis |
Henry Lewis & Lango Oliveira are the "Neon Knights", two tattoo artists who came together for the current exhibition up at 111 Minna Gallery. This show comprises solo works by both and a few collaborations - many massive, dominating pieces and some small, intricately presented ones. They are stunning works in mainly a black and white palette - a heavy metal mix of tattoo art, street art and ancient Asian watercolors. Dragons, grim reapers, feathery birds of prey, babes, tigers and knights in armor - with a little science fiction fantasy thrown in. This impressive show is up through the month of March and very worth laying your eyes on.
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